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c. 1445 – May 17, 1510. Italian painter.

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Lucas Cranach the Younger
Joachim II. Hektor, Kurfurst von Brandenburg

ID: 93314

Lucas Cranach the Younger Joachim II. Hektor, Kurfurst von Brandenburg
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Lucas Cranach the Younger Joachim II. Hektor, Kurfurst von Brandenburg


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Lucas Cranach the Younger

(October 4, 1515 ?C January 25, 1586) was a German Renaissance artist, known for his woodcuts and paintings. He was a son of Lucas Cranach the Elder who began his career as an apprentice in his father's workshop. Henceforth, his own reputation and fame grew. After his father's death, he assumed control over the workshop. The style of their paintings can be so similar that there have been some difficulties in attribution of their works.  Related Paintings of Lucas Cranach the Younger :. | Portrait of Philip I, Duke of Pomerania. | Miniature of Barbara Radziwill | Miniature of Barbara Radziwill | Miniature of Barbara Radziwill | Selbtsbildnis |
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Niko Pirosmanashvili
(born Niko Pirosmanashvili; May 5, 1862-1918) was a Georgian primitivist painter. Pirosmani was born in the Georgian village of Mirzaani to a pleasant family in the Kakheti province. His family owned a small vineyard. He was later orphaned and put in the care of his two elder sisters. He moved with them to Tbilisi in 1870. In 1872 he worked as a servant for wealthy families and learned to read and write Russian and Georgian. In 1876 he returned to Mirzaani and worked as a herdsman. Pirosmani gradually taught himself to paint. One of his specialties was painting directly into black oilcloth. In 1882 he opened a workshop in Tbilisi which was unsuccessful. In 1890 he worked as a railroad conductor, and in 1895 worked creating signboards. In 1893 he co-founded a dairy farm in Tbilisi which he left in 1901. Throughout his life Pirosmani, who was always poor, was willing to take up ordinary jobs including housepainting and whitewashing buildings. Although his paintings had some local popularity (about 200 survive) his relationship with professional artists remained uneasy; making a living was always more important to him than abstract aesthetics.
Cornelis Dusart
1660-1704 Dutch Dutch painter, draughtsman and printmaker. He was the son of the organist at St Bavo in Haarlem and one of the last pupils of Adriaen van Ostade. He became a member of the Haarlem Guild of St Luke on 10 January 1679 and served as its dean in 1692. Dated pictures by Dusart have survived from almost every year between 1679 and 1702. Two of his earliest pictures of peasants relied heavily on compositions by van Ostade: Mother and Child (1679; Dresden, Gemeldegal. Alte Meister) and Woman Selling Milk (1679; sold Amsterdam, Muller, 16 Oct 1928, lot 9; the original drawing by van Ostade is in Paris, Fond. Custodia, Inst. Neer., see Schnackenburg, 1981, no. 132).
Imre Amos
Imre Ámos (1907, Nagykv, 1944 or 1945, Germany) was a twentieth century Hungarian Jewish painter. Following his studies at the Technical University, Budapest from 1927 to 1929, he enrolled in the Art School where he was a pupil of Gyula Rudnay. He married Margit Anna, also a painter.






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